Andrea Steves
artist / curator / producer / organizer

Collaborations
  1. Museum of Capitalism
  2. FICTILIS
  3. Center for Hydrosocial Studies

News + Publications
  1. RADIO GRAVEYARD ORBIT (w/Laressa Dickey)
  2. Looking for justice downwind of Trinity (with Gem Romuld)
  3. Museum of Capitalism (Inventory Press)
  4. Monument Lab Podcast -- Museum of Capitalism
  5. A View From the Edge of the Earth (thechart.me)
  6. Double Vision in Maine / California
  7. What Is The Speculative / Roundtable (Sublevel)
  8. Curating "Outside" of the Institution (Exhibitions on the Cusp)
  9. This New Museum Imagines a World Where Capitalism Is Dead (Sarah Burke for Art.sy)
  10. What Would a Museum of Capitalism Look Like? (Anna Wiener for The New Yorker)


About

Current
2019: In residence at the Center For Capitalism Studies at The New School for Social Research
Jul 2019: In Residence @ Hewnoaks Artist Colony
Sep 5 - Nov 11, 2019: Bergen Assembly, sound design/composition in support of Dickey / Gharavi
Oct 30 - Dec 10, 2019: Museum of Capitalism at The New School
Nov 2019: sound design for company J.U.S.T., Südufer, Freiburg, Germany

Recent
Dec 2018: In residence at Skálar, Experimental Sound Art Residency, Seyðisfjörður, East Iceland, with Sam Hertz
Jan 16, 2019: Museum Interventions @ 516Arts, Albuquerque
March 28, 2019: The End of Everything, panel discussion at Pioneer Works, Brooklyn
April 25, 2019: Technology After Capitalism at SFMOMA with Finn Brunton, Kim Stanley Robinson, Caitlin Zaloom, and Xiaowei Wang
May 19-25 2019: The Whole Life: Archives and Reality, Dresden






 
Mark

Museum of Capitalism





Museum of Capitalism is a project conceived by FICTILIS taking the form of a public museum that treats capitalism as a historical phenomenon. This speculative institution views the present and recent past from the implied perspective of a society in which the current economic and political system is memorialized in a manner similar to (the Museums of) Communism, Apartheid, etc. Using this conceit, and a variety of formats—primarily exhibition, installation, performance, and publication—the museum provides a dynamic context for a growing body of work exploring the intersections of economic issues with those of race, gender, and environment, while engaging directly with the contemporary crisis in political imagination that makes it “easier to imagine the end of the world than the end of capitalism.”

Suggesting that capitalism’s compounding crises have demonstrated the inevitability of its eventual end and its worthiness for the kind of reflection and remembrance that a museum would evoke, the project invites audiences to inhabit an indeterminate, imaginary future in order to better recognize the historical specificity, idiosyncrasy, and contingency of the present. The museum performs the role of a public institution, in an attempt to reach broad audiences and become a platform for critical dialogue and civic engagement around some of the most pressing questions of our time.

The Museum has hosted exhibitions in Oakland, CA (2017), Boston, MA (2018), and will be in residence at the Center for Capitalism Studies at the New School preparing for an exhibition in New York in 2019.

museumofcapitalism.org // with Timothy Furstnau and many others // photos of the Oakland exhibiton by Cinque Mubarak






Mark