Andrea Steves
artist / curator / producer / organizer

Collaborations
  1. Museum of Capitalism
  2. FICTILIS
  3. Center for Hydrosocial Studies

News + Publications
  1. RADIO GRAVEYARD ORBIT (w/Laressa Dickey)
  2. Looking for justice downwind of Trinity (with Gem Romuld)
  3. Museum of Capitalism (Inventory Press)
  4. Monument Lab Podcast -- Museum of Capitalism
  5. A View From the Edge of the Earth (thechart.me)
  6. Double Vision in Maine / California
  7. What Is The Speculative / Roundtable (Sublevel)
  8. Curating "Outside" of the Institution (Exhibitions on the Cusp)
  9. This New Museum Imagines a World Where Capitalism Is Dead (Sarah Burke for Art.sy)
  10. What Would a Museum of Capitalism Look Like? (Anna Wiener for The New Yorker)

Info
  1. About
  2. CV

Current
2019: In residence at the Center For Capitalism Studies at The New School for Social Research
Jul 2019: In Residence @ Hewnoaks Artist Colony
Sep 5 - Nov 11, 2019: Bergen Assembly, sound design/composition in support of Dickey / Gharavi
Oct 30 - Dec 11, 2019: Museum of Capitalism at The New School
Nov 2019: sound design for company J.U.S.T., Südufer, Freiburg, Germany

Recent
Dec 2018: In residence at Skálar, Experimental Sound Art Residency, Seyðisfjörður, East Iceland, with Sam Hertz
Jan 16, 2019: Museum Interventions @ 516Arts, Albuquerque
March 28, 2019: The End of Everything, panel discussion at Pioneer Works, Brooklyn
April 25, 2019: Technology After Capitalism at SFMOMA with Finn Brunton, Kim Stanley Robinson, Caitlin Zaloom, and Xiaowei Wang
May 19-25 2019: The Whole Life: Archives and Reality, Dresden






 
Mark

Double Vision


A collaboration with Yulia Pinkusevich and Francois Hughes, Double Vision explores the Cold War history of the Nike Missile Program and its counterparts in the USSR. The project began in the Bay Area’s Marin Headlands, which is home to the Nike Missile Battery, part of a nationwide nuclear missile defense system active from 1951 to 1972. The ongoing project gathers materials from former Nike veterans and archives to create interactive experiences using low power FM transmission and video installation at a variety of former military sites.

below: Double Vision at Headlands Center for the Arts, 2018. photo by Tom Ide


below: images from Double Vision for A Long Wait, Portland, ME. photos by Darius Riley
Mark