Andrea Steves
artist / curator / producer / organizer

Collaborations
  1. Museum of Capitalism
  2. FICTILIS
  3. Center for Hydrosocial Studies

News + Publications
  1. RADIO GRAVEYARD ORBIT (w/Laressa Dickey)
  2. Looking for justice downwind of Trinity (with Gem Romuld)
  3. Museum of Capitalism (Inventory Press)
  4. Monument Lab Podcast -- Museum of Capitalism
  5. A View From the Edge of the Earth (thechart.me)
  6. Double Vision in Maine / California
  7. What Is The Speculative / Roundtable (Sublevel)
  8. Curating "Outside" of the Institution (Exhibitions on the Cusp)
  9. This New Museum Imagines a World Where Capitalism Is Dead (Sarah Burke for Art.sy)
  10. What Would a Museum of Capitalism Look Like? (Anna Wiener for The New Yorker)


About

Current
2019: In residence at the Center For Capitalism Studies at The New School for Social Research
Jul 2019: In Residence @ Hewnoaks Artist Colony
Sep 5 - Nov 11, 2019: Bergen Assembly, sound design/composition in support of Dickey / Gharavi
Oct 30 - Dec 10, 2019: Museum of Capitalism at The New School
Nov 2019: sound design for company J.U.S.T., Südufer, Freiburg, Germany

Recent
Dec 2018: In residence at Skálar, Experimental Sound Art Residency, Seyðisfjörður, East Iceland, with Sam Hertz
Jan 16, 2019: Museum Interventions @ 516Arts, Albuquerque
March 28, 2019: The End of Everything, panel discussion at Pioneer Works, Brooklyn
April 25, 2019: Technology After Capitalism at SFMOMA with Finn Brunton, Kim Stanley Robinson, Caitlin Zaloom, and Xiaowei Wang
May 19-25 2019: The Whole Life: Archives and Reality, Dresden






 
Mark

Double Vision || A Long Wait (Orbis Editions)



Andrea Steves, Francois Hughes, and Yulia Pinkusevich
Edited by Rose Linke
$10.00 // 105 pages, soft cover

 
A Long Wait: Double Vision is an artist book published in conjunction with the 2018 installation developed at Fort Gorges in Portland, Maine by artists Andrea Steves, Francois Hughes, and Yulia Pinkusevich. Edited by Rose Linke, the volume draws on research from the artists' collaborative project, Double Vision, which explores the Cold War history of the Nike Missile Program and its counterparts in the USSR. The project began while the artists were in residence at the Headlands Center for the Arts in the Marin Headlands, California, which is home to the Nike Missile Battery, part of a nationwide nuclear missile defense system active from 1951 to 1972. A Long Wait: Double Vision features photographs, interviews with former Nike veterans and veterans of the USSR’s nuclear programs, and historical documents from multiple archives, allowing for collective reflection on this history and our current reality of heightened nuclear fears.







Mark