Double Vision || A Long Wait (Orbis Editions)



Andrea Steves, Francois Hughes, and Yulia Pinkusevich
Edited by Rose Linke
$10.00 // 105 pages, soft cover

 

A Long Wait: Double Vision is an artist book published in conjunction with the 2018 installation developed at Fort Gorges in Portland, Maine by artists Andrea Steves, Francois Hughes, and Yulia Pinkusevich. Edited by Rose Linke, the volume draws on research from the artists' collaborative project, Double Vision, which explores the Cold War history of the Nike Missile Program and its counterparts in the USSR.

The project began while the artists were in residence at the Headlands Center for the Arts in the Marin Headlands, California, which is home to the Nike Missile Battery, part of a nationwide nuclear missile defense system active from 1951 to 1972. A Long Wait: Double Vision features photographs, interviews with former Nike veterans and veterans of the USSR’s nuclear programs, and historical documents from multiple archives, allowing for collective reflection on this history and our current reality of heightened nuclear fears.








Mark

Projects, Current / Recent

Artist Books & Edited Volumes

Collaborations:
FICTILIS (2010-present)

as Artist Project Group (Bernhard Garnicnig, Lukas Heistinger, Andrea Steves, 2020-present)

as Museum of Capitalism (2014-present)
Agnes: unfolding strategies of resistance and joy

anti-nuclear & environmental work
Articles and Podcasts
sound work
some press and interviews:
  1. ︎︎︎100 Works of Art that Defined the Decade (Artnet)
  2. ︎︎︎Building A Museum of Capitalism (NYT)
  3. ︎︎︎What Would A Museum of Capitalism Look Like? (New Yorker)
  4. ︎︎︎Così l’arte contemporanea mette in scena la crisi (Irene Opezzo, La Stampa)
  5. ︎︎︎This New Museum Imagines a World Where Capitalism Is Dead (Sarah Burke for Artsy)
  6. ︎︎︎A Time-Twisting Visit to the Museum of Capitalism (Atlas Obscura)
  7. ︎︎︎Which Stories Belong In Public? Monument Lab ReGen Advisory Roundtable
  8. ︎︎︎A View From the Edge of the Earth (interview for The Chart)

in the words of others