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Andrea Steves
artist / curator / producer / organizer

About

Collaborations
  1. Museum of Capitalism
  2. Essential Services
  3. Artist Project Group
  4. deurendis
  5. FICTILIS
  6. with Ryts Monet

Publications / Writing / Talks (selected)
  1. Tracing The Line: The Promissory Politic of Climate Change (eflux)
  2. Museum of Capitalism Second Edition Publication (Inventory Press)
  3. Works Fall: On Ryts Monet and Ruins (EN / IT)
  4. Alienation in the Museum of Capitalism (FWD Museums Journal, but I will read it to you.)
  5. Art After the Future (with James McAnally)
  6. Looking for Justice Downwind of Trinity (podcast with Gem Romuld)
  7. What Is The Speculative? Sublevel Magazine
  8. Curating "Outside" of the Institution (Exhibitions on the Cusp)

Press / Interviews (selected)
  1. A View From the Edge of the Earth (interview for The Chart)
  2. “In Pursuit of A Dream Museum” -- Museum of Capitalism and Paul Farber for Monument Lab
  3. Building A Museum of Capitalism (NYT)
  4. What Would A Museum of Capitalism Look Like? (New Yorker)
  5. 100 Works of Art that Defined the Decade (Artnet)
  6. This New Museum Imagines a World Where Capitalism Is Dead (Sarah Burke for Artsy)
  7. A Time-Twisting Visit to the Museum of Capitalism

Older Collaborations
  1. RADIO GRAVEYARD ORBIT (w/Laressa Dickey)
  2. with Steffi Sembner
  3. Half-Life Collective
  4. Center for Hydrosocial Studies
  5. Double Vision in Maine / California














 
Mark

Double Vision: Fort Gorges, Casco Bay, Maine


A collaboration with Yulia Pinkusevich and Francois Hughes, Double Vision explores the Cold War history of the Nike Missile Program in the US and its counterparts in the USSR. Double Vision was first developed for a low-power FM installation in the Bay Area’s Marin Headlands, which is home to the Nike Missile Battery, part of a nationwide nuclear missile defense system active from 1951 to 1972. The ongoing project gathers materials from former Nike veterans and archives to create interactive experiences using low power FM transmission and video installation at a variety of former military sites.

For A Long Wait, curated by Erin Johnson, Double Vision was installed at an abandoned military fort off the shore of Portland, Maine. Visitors to the installation traveled by boat to the fort. An accompanying artist book was published by Orbis Editions.

Interview: A View From the Edge of the Earth by Rose Linke


below: images & Trailer from Double Vision for A Long Wait, Portland, ME. photos by Darius Riley

double vision: fort gorges [trailer] from FICTILIS on Vimeo.
Mark