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Andrea Steves
artist / curator / producer / organizer

Collaborations
  1. Museum of Capitalism
  2. FICTILIS
  3. RADIO GRAVEYARD ORBIT (w/Laressa Dickey)
  4. with Steffi Sembner
  5. Half-Life Collective
  6. Center for Hydrosocial Studies
  7. Double Vision in Maine / California

News + Publications
  1. Art After the Future (with James McAnally)
  2. Museum of Capitalism Second Edition Publication (Inventory Press)
  3. Looking for Justice Downwind of Trinity (with Gem Romuld)
  4. “In Pursuit of A Dream Museum” -- Museum of Capitalism and Paul Farber for Monument Lab
  5. What Is The Speculative? Sublevel Magazine
  6. Curating "Outside" of the Institution (Exhibitions on the Cusp)

About

Recent
-In residence at The Luminary, St. Louis
-Museum of Capitalism: Archive of the Present in Vienna
-In Residence @ Hewnoaks Artist Colony, Maine
-Bergen Assembly, sound design/composition in support of Dickey / Gharavi
-Museum of Capitalism at The New School
-The End of Everything, panel discussion at Pioneer Works, Brooklyn
-Technology After Capitalism at SFMOMA with Finn Brunton, Kim Stanley Robinson, Caitlin Zaloom, and Xiaowei Wang
-Tutor, The Whole Life: Archives and Reality, Dresden
-In residence at Skálar, Experimental Sound Art Residency, Seyðisfjörður, East Iceland, with Sam Hertz
-Museum Interventions @ 516Arts, Albuquerque
Now
Museum of Captialism is on hiatus in 2020. I am developing an ongoing project on utopia (with Rose Linke), and continuing research on nuclear fallout and downwinder communities, including a future publication (with Sara Dean & Rose Linke). I am also developing You Promised, a project /platform for institutional and corporate accountability with Related Tactics.








 
Mark

Double Vision: Fort Gorges, Casco Bay, Maine


A collaboration with Yulia Pinkusevich and Francois Hughes, Double Vision explores the Cold War history of the Nike Missile Program in the US and its counterparts in the USSR. Double Vision began in the Bay Area’s Marin Headlands, which is home to the Nike Missile Battery, part of a nationwide nuclear missile defense system active from 1951 to 1972. The ongoing project gathers materials from former Nike veterans and archives to create interactive experiences using low power FM transmission and video installation at a variety of former military sites.

For A Long Wait, curated by Erin Johnson, Double Vision was installed at an abandoned military fort off the shore of Portland, Maine. Visitors to the installation traveled by boat to the fort.
Interview: A View From the Edge of the Earth by Rose Linke


below: images from Double Vision for A Long Wait, Portland, ME. photos by Darius Riley


Mark